297. Up 233 moonlit steps

233 steps by the moon

Up 233 moonlit steps, Back Beach, Taranaki. 10.07 pm, 27 March 2013

To Barney’s pulpit rock I climb / Where the sea aisles burn cold / In fires of no return / And maned breakers praise / The death hour of the sun.

James K. Baxter, In fires of no return

28mm; ISO 2000. 30 seconds at f11

 

296. Perfect evening, Ngamotu Rd

Perfect evening, Ngamotu Rd

Perfect evening, Ngamotu Rd, New Plymouth. 10.17 – 10.21pm, 25 March 2013

What are the roots that clutch, what branches grow / Out of this stony rubbish?          Son of man, / You cannot say, or guess, for you know only / A heap of broken images    – T.S. Eliot, The Waste Land

85mm; ISO 500. 4 minutes at f16

288. Whither Michael Smither?

Michael Smither country

Whither Michael Smither? Waiwhakaiho River at Alfred Rd. 10.56 pm, 27 February 2013

 In photography there is a reality so subtle that it becomes more real than reality.  -  Alfred Stieglitz

85mm; ISO 2000. 25 seconds at f8. Incandescent

284. Moonlit minutes at Morere

Ten minutes of Morere moonlight

Moonlit minutes at Morere, East Coast. 10.31 – 10.41 pm, 25 January 2013

 Most of our troubles are due to our passionate desire for and attachment to things that we misapprehend as enduring entities.  -  Dalai Lama

28mm; ISO 2000. 629.4 secs (10.5 minutes) at f11

275. My meditations, my musings

Maitai moonlight, Nelson. 10.08 pm, 28 November 2012

My meditations, my musings are never more enchanting than when I am able to forget myself.  -  Jean-Jacques Rousseau

NEWS: My 2013 Night Visions calendar has now sold out. The NIGHT VISIONS book is still available direct, at $40 post-free (signed copies, with 4 x greeting cards as a bonus). The book has had some favourable notices: “A unique, often eerie, new perspective” (D-Photo magazine); “Enchanting” (Nelson Mail); also in North & South magazine (November issue: “a bewitching mix of rural and urban landscapes”).

85mm; ISO 2000. 5 seconds at f8. Flash

272. Echoes in Frankleigh Park

Echoes in Frankleigh Park, New Plymouth. 10.42 pm, 30 October 2012

I mused for a few moments on the question of which was worse, to lead a life so boring that you are easily enchanted, or a life so full of stimulus that you are easily bored.
Bill Bryson, Lost Continent: Travels In Small-Town America

85mm; ISO 2000. 15 seconds at f16. Sodium vapour light balance

269. Still round the corner

Still round the corner, New Plymouth.  10.49 pm, 30 October 2012

Still round the corner there may wait / A new road or a secret gate
And though I oft have passed them by / A day will come at last when I
Shall take the hidden paths that run / West of the Moon, East of the Sun.

                                                                                                            – J.R.R. Tolkien

85mm; ISO 2000. 20 seconds at f16. Sodium vapour light balance

 

268. Mother ship obviously poised

The mother ship is obviously poised. 9.20 pm, 26 October 2012

For the joy of the angels lies only in obedience to God’s will, and with equal joy they would lift a Lazarus in his rags to Abraham’s bosom, or be a chariot of fire to carry an Elijah home.  -  John Newton

28mm; ISO 2000. 30 seconds at f13

267. Beam before landing

Beam before landing, Taranaki.  9 pm, 26 October 2012

Miracles occur, / If you dare to call those spasmodic / Tricks of radiance miracles. / The wait’s begun again, / The long wait for the angel, / For that rare, random descent.
- Sylvia Plath

50mm; ISO 2000. 30 seconds at f9. Incandescent light balance

256. Almost spring, Westown

Almost spring, Westown, New Plymouth. 7.54 pm, 29 August 2012

 There is something infinitely healing in the repeated refrains of nature – the assurance that dawn comes after night, and spring after winter.  -  Rachel Carson, Silent Spring

85mm; ISO 1000. 30 seconds at f11. Sodium vapour light balance

243. Winter in Waiuku country

Winter in Waiuku country, South Auckland. 11.51 pm, 28 July 2012

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.Michael Kenna

 28mm; ISO 2000. 30 seconds at f5.6

 

239. From our balcony, after midnight

From our balcony, after midnight. 12.04 am, 6 May 2012

[Only the camera can express] the full majesty of the moment. -  Paul Leopold Rosenfeld

Looking down on the tops of the persimmon. You can only do this on a very still night, as the slightest breeze blurs the detail. However, to get a really creative blur, you need a gusty evening – nothing in-between is very satisfying. An aperture of f16 is the smallest on my telephoto lens; at close range the depth of field is minimal even at this setting. The light is a mixture of moonlight and ambient city light. The cool tones of the background roof show mainly moonlight (it is leeward of city light), while the warmer leafage shows it was more exposed to the street lighting.

85mm, ISO 2000. 108 seconds at f16. Sodium vapor lamp light balance

238. Persimmon by moonlight

Persimmon by moonlight, Nelson. 1.14 am, 6 May 2012

I can gather all the news I need on the weather report.  -  Paul Simon (The Only Living Boy in New York)

Still lifes by moonlight are formidable propositions because of the problems in seeing what you have, particularly with close framing and the shallow depth of field of a mild telephoto. This scene was by our front door in Nelson. The background light is mainly moonlight, with some city fill. Persimmon trees loose their leaves with surprising speed – one windy night soon after did the trick! But now we are back in the North Island, in New Plymouth.

85mm; ISO 2000. 30 seconds at f3.2

 

 

236. Return after dark from Turtle Cove

Return after dark from Turtle Cove, Golden Bay. 8.18 pm, 2 June 2012

 At their best, photographs as symbols not only serve to help illuminate some of the darkness of the unknown, they also serve to lessen the fears that too often accompany the journeys from the known to the unknown.Wynn Bullock

28mm; ISO 2000. 30 seconds at f11

229. Long exposure from Turtle Cove

Long exposure from Turtle Cove, Golden Bay. 6.09 pm, 3 June 2012

Ah the moon’s too bright, the chain’s too tight, the beast won’t go to sleep…

- Leonard Cohen (I’m Your Man)

85mm; ISO 500. 294 seconds (5 mins) at f16

 

207. The truth more plausible, from Kaiteriteri

The truth more plausible, from Kaiteriteri. 9.06 pm, 4 April 2012

To make the truth more plausible, it is absolutely necessary to mix a bit of falsehood with it.  -  Dostoevsky

Staying three nights this week at Marahau, gateway to Abel Tasman National Park (Nelson), we had lovely evenings “to behold the waxing moon”. At Kaka Pa Point we discovered an easy path down to a sandy cove, Breaker Bay, above which a street light shines.

My attempt to reduce the overwhelming orange of the lamp was not successful, but produced this unusual image, featuring distant Adele Island (Motuarero-nui). Efforts to incorporate more colour in my night photography was aided by the golden sand here, plus the intensified blues from the light balance.

85mm, ISO 1250. 30 seconds at f16. Sodium vapour light balance

205. Full moon at Back Beach: Night for day

Full moon at Back Beach: Night for day. 11.26 pm, 20 March 2011

The world to me is a dream and the people in it are sleepers. I have known a few instances of intensity but that is all.  – Katherine Mansfield

28mm, ISO 2000. 6 secs at f2.8

 

200. The bluffs at moonset, Gilbert’s Beach

The bluffs at moonset, Gilbert's Beach. 10.55 pm, 12 March 2011

If only I could stand on a street corner with my hat in my hand, and get people to throw their wasted time into it!  -  Bernard Berenson, U.S. art critic

Taken last year at Te Hapu, Golden Bay and recalled by our more recent stay. Moonset before midnight always means a crescent moon, a simple fact of celestial mechanics. Without a prolonged exposure I had not thought it possible to get such a landscape by a slender moon, especially one so low on the horizon.

I like the warmth of light, fence shadow (right hand corner) and the veil of stars, more prominent than they would be under a full moon.

 28mm, ISO 3200. 30 secs at f2.8. Torchlight

194. Gypsy hymns & moonlight swims

 

Gypsy hymns & moonlight swims, Golden Bay. 9.52pm, 7 February 2012

With your silhouette when the sunlight dims, into your eyes when the moonlight swims, and your matchbook songs and gypsy hymns: Who among them would try to impress you? -  Bob Dylan (Sad-eyed Lady of the Lowlands)

85mm, ISO 2000. 5 secs at f11