Nikon D700

263. Cable Bay moonlight, Nelson

263. Cable Bay moonlight, Nelson

Great things are not done by impulse but by a series of small things brought together. – Vincent van Gogh (attrib) 85mm; ISO 2000. 15 seconds at f11  

262. Love … get, New Plymouth

262. Love … get, New Plymouth

The fate of your heart is your choice and no one else gets a vote. – Sarah Dessen, This Lullaby 28mm; ISO 1000. 15 seconds at f8. Light balance 2500 deg K  

261. “Things nobody would see” – by moonlight

261. “Things nobody would see” – by moonlight

 I really believe there are things nobody would see if I didn’t photograph them. – Diane Arbus 85mm; ISO 2000. 30 seconds at f8

260. Moonlit gums, Cambridge

260. Moonlit gums, Cambridge

Tell me, what is it you plan to do / with your one wild and precious life?  –  Mary Oliver 85mm; ISO 2000. 30 seconds at f6.3

259. Temple flowers, Hamilton

259. Temple flowers, Hamilton

With freedom, books, flowers, and the moon, who could not be happy? – Oscar Wilde  85mm; ISO 2000. 1/400th second at f4

258. Twilight temple, Hamilton

258. Twilight temple, Hamilton

 This is my simple religion. No need for temples. No need for complicated philosophy. Your own mind, your own heart is the temple. Your philosophy is simple kindness. – Dalai Lama XIV 50mm; ISO 2000. 1/13th second at f11

257. House on the corner, Cambridge

257. House on the corner, Cambridge

You can’t stay in your corner of the Forest waiting for others to come to you.You have to go to them sometimes.  –  A.A. Milne, Winnie-the-Pooh 50mm; ISO 2000. 10 seconds at f16. Sodium vapour light balance    

256. Almost spring, Westown

256. Almost spring, Westown

 There is something infinitely healing in the repeated refrains of nature – the assurance that dawn comes after night, and spring after winter.  –  Rachel Carson, Silent Spring 85mm; ISO 1000. 30 seconds at f11. Sodium vapour light balance

255. What we call reality

255. What we call reality

What we call reality is an agreement that people have arrived at to make life more liveable.  –  Louise Nevelson (US photographer) 50mm; ISO 2000. 15 seconds at f11. Sodium vapour light balance  

254. Life was Beauty

254. Life was Beauty

   I slept, and dreamed that life was Beauty; I woke, and found that life was Duty.  –  Ellen Sturgis Hooper 50mm; ISO 2500. 30 seconds at f16. Flash    

253. The case for magic realism

253. The case for magic realism

There is no substitute for moonlight and kissing.  –  Barbara Cartland 85mm; ISO 2000. 70 seconds at f16. Flash

252. Peekaboo moon, Taranaki

252. Peekaboo moon, Taranaki

Artists are born kneeling; they fight to stand. Critics, by nature of the judgement seat, are born sitting.  –  Hortense Calisher (US novelist) [adapted] 50mm; ISO 2000. 30 seconds at f16. Sodium vapour light balance

251. Moonlight in May, Cheviot

251. Moonlight in May, Cheviot

There is no such thing as the pursuit of happiness, but there is the discovery of joy.  –  Joyce Grenfell 28mm; ISO 2000. 192 seconds (over 3 mins) at f11

250. Magnolia buds, apricot evening

250. Magnolia buds, apricot evening

Those who wish to sing, always find a song.  –  Swedish proverb 50mm; ISO 2000. 30 seconds at f5.6

249. Magnolias at night, late winter

249. Magnolias at night, late winter

 Meditate. Live purely. Be quiet. Do your work with mastery. Like the moon, come out from behind the clouds! Shine. –  Buddha (attrib.) 85mm; ISO 1000. 63 seconds at f2.5. Sodium vapour light balance

248. New moon in blue, Taranaki

248. New moon in blue, Taranaki

To live is the rarest thing in the world. Most people exist, that is all.  –  Oscar Wilde 85mm; ISO 2000. 1/400th sec at f9

247. Evening fellowship, Waiuku country

247. Evening fellowship, Waiuku country

Good friends, good books, and a sleepy conscience: this is the ideal life. –  Mark Twain 28mm; ISO 2000. 30 seconds at f8

246. Desolation Row, Waiuku country

246. Desolation Row, Waiuku country

And the only sound that’s left / After the ambulances go Is Cinderella sweeping up / On Desolation Row.  –  Bob Dylan 28mm; ISO 2000. 68 seconds at f8

245. Approaching city lights, Manawatu

245. Approaching city lights, Manawatu

Approaching city lights, Manawatu. 7.06 pm, 6 August 2012 Fall seven times, stand up eight! –  Japanese proverb 85mm; ISO 2000. 30 seconds at f9. Incandescent light balance      

244. Joyful John escapes the city

244. Joyful John escapes the city

Whenever I feel the need to exercise, I lie down until it goes away – Robert M. Hutchins 28mm; ISO 2000. 20 seconds at f5.6  

243. Winter in Waiuku country

243. Winter in Waiuku country

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities. – Michael Kenna  28mm; ISO 2000. 30 seconds at f5.6  

242. Full moon, Back Beach

242. Full moon, Back Beach

28mm; ISO 2000. 30 seconds at f8. Flash  

241. Darkness on the Old Mountain Rd, Taranaki

241. Darkness on the Old Mountain Rd, Taranaki

To be exempt from the passions with which others are tormented, is the only pleasing solitude.  –  Joseph Addison Driving north in the early evening, I paused on a 2 km disused section of the old highway, quaint now for its narrowness and rustic one-lane bridge. The night was cold and moonless, with a constant […]

240. Ratana church, winter twilight

240. Ratana church, winter twilight

The illiteracy of the future will be ignorance not of reading or writing, but of photography. –      László Moholy-Nagy (Weimar photographer, 1926) Oh for a rising moon behind! But there was heavy overcast – and anyway, the moon was yet to rise. By the way, a big moon rising after dark is past […]

239. From our balcony, after midnight

239. From our balcony, after midnight

[Only the camera can express] the full majesty of the moment. –  Paul Leopold Rosenfeld Looking down on the tops of the persimmon. You can only do this on a very still night, as the slightest breeze blurs the detail. However, to get a really creative blur, you need a gusty evening – nothing in-between […]

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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