stars

160. Spring moonshine: Free performance

160. Spring moonshine: Free performance

No state of affairs is ever perfect. –  Horace On a mild spring evening a slip of a moon comes down the starry sky to a calm sea. What a marvellous programme! A bench seat was provided but there was no admission charge,  applause or intermission – and no commercials. Truth be told though, I […]

154. Suburban moment, New Plymouth

154. Suburban moment, New Plymouth

Life is made up of marble and mud. –  Nathaniel Hawthorne It’s surprising what you find close to home when you can’t venture far. Apart from their starriness, this scene matches with the previous one, Marahau before moonrise, in one  sense: use of f4. However their shutter times demonstrate how far apart light levels can […]

153. Marahau before moonrise, Abel Tasman coast

153. Marahau before moonrise, Abel Tasman coast

Somehow to capture the constantly evanescent quality of existence. – Tennessee Williams, on his goal in writing It can be a pain to wait for the moonrise on those nights following full moon – although you do get some quality time with undimmed stars and the odd cloud capture. Eventually the eastern horizon lightens and […]

152. Moonlit mountain

152. Moonlit mountain

Everybody has talent at 25. The difficult thing is to have it at 50. –  Edward Degas. With midnight as my deadline, this roadside shot was one of my last for this cool but lovely evening. Pheney Rd is a quiet country location but it is not far from the city and camerawork is not […]

151. Magnolias by night

151. Magnolias by night

No act of kindness, no matter how small, is ever wasted. –  Aesop Last full moon I spent many happy hours over several evenings tackling the budding magnolia next door. This one worked better at f5.6 than at f16, to my surprise, but with f16 needing nearly 5 minutes the risk of a breeze was […]

150. Moonlit magnolias

150. Moonlit magnolias

Desire is something irrational for which one always has to pay a high price. – Pedro Almodovar On biting winter evenings two strategies can help prise the moonlight photographer from homely warmth. Either go out while it’s still daylight, or stay close to home – for an easier retreat. For this extended exposure in the […]

145. Surf and moonlit clouds, Taranaki

145. Surf and moonlit clouds, Taranaki

Never confuse activity with action. –  F. Scott Fitzgerald 28mm, ISO 2000. 2.5 seconds at f2.8. Incandescent light balance, flash

142. Crescent moon, winter evening

142. Crescent moon, winter evening

Indolence is a delightful but distressing state. We must be doing something to be happy.  – William Hazlitt 85mm, ISO 2000. 3 seconds at f2. Incandescent light balance.

135. Star trails and mountain, from Lake Ratapiko

135. Star trails and mountain, from Lake Ratapiko

I don’t sing because I’m happy. I’m happy because I sing. – William James Ratapiko is a small hydro lake near the edge of the Taranaki ring plain, about 40 minutes northeast of New Plymouth, in a quiet country district. Quiet on a winter’s evening at least, as in season Ratapiko is popular for boating […]

134. Tongariro, Ngauruhoe, moonlight

134. Tongariro, Ngauruhoe, moonlight

The heaventree of stars hung with humid night-blue fruit. –  James Joyce Night-blue signals tungsten film! It was not something I usually shot with, but in my younger days I used whatever film was affordable. To get balanced colour in daylight you had to apply corrective filters, but none were used here, so the blues […]

128. Taranaki contra nuit

128. Taranaki contra nuit

The greater the contrast, the greater the potential. Great energy only comes from a correspondingly great tension between opposites. –  Carl Jung “Contra nuit” adapts the French term contra jour, meaning against-the-light effects, to this special application by full moon. I’ve tried it here from the safety of the broad shadow of a poplar, as […]

124. Suburban evening, no. 2

124. Suburban evening, no. 2

Low-flying cloud on the outskirts of New Plymouth accompanies this uncommon perspective from a high point near Barrett Domain. Running the beam over this attractive specimen from a steep ridge nearby, I spotted another outline in the background. Although deceased, the second tree adds depth, twisting the perspective further – mostly we look up at […]

122. Autumn evening, Ngamotu

122. Autumn evening, Ngamotu

North Taranaki this week has been clear and mild for night photography by the  crescent moon. These slender new moons might give only the feeblest of light but if you can see your shadow by them then there is enough for moonlight photography! Nature also provides some magnifiers for moonlight, the best being its reflection […]

120. Midnight clifftop, Kaikoura

120. Midnight clifftop, Kaikoura

Twelve hours before the Christchurch earthquake I was somewhat wearily walking the quiet waterfront at Kaikoura, 150 km to the north on the east coast. I was happy after a perfect evening of night photography, and had the moon well up behind me when I spotted these trees high above. They fringe the cliffs which […]

119. Uphill and so to bed, Te Hapu

119. Uphill and so to bed, Te Hapu

Despite this corner being at evening’s end Gerry and I were happy for the uphill slog that began here, under a moonless, starry sky. By text message we had heard of the huge earthquake and tsunami in Japan, and remote though Te Hapu station (www.tehapu.co.nz) may be at the top left corner of the South […]

115. Crescent moonset, with Venus

115. Crescent moonset, with Venus

This took around 15 minutes at a small aperture, on Fuji slide film. It was a perfect summer’s evening at Paritutu Centennial Park, and I spent the interlude chatting with a friend. I’m only guessing that the stripe is Venus, but as she often accompanies the early moon it’s a good bet. For trails like […]

114. Nikau mates at Te Hapu, no. 2

114. Nikau mates at Te Hapu, no. 2

We waved the torch over nearby palms on our way back from Gilbert’s Beach, at Te Hapu (www.tehapu.co.nz), a remote cattle station in Golden Bay. On a wide angle lens it is easier to stop the stars, which were more visible with the moon being blotted out by a cloudbank. Having selected Direct sunlight light […]

111. Power to the rock

111. Power to the rock

An industrial landscape at night; how lens choice affects star trails

105. Night tide at Kaikoura

105. Night tide at Kaikoura

Moonlit abstraction on the square; Light balance selection with mixed sources

104. Stony landscape, Taranaki

104. Stony landscape, Taranaki

A low angle on the plain and a karaka grove; company and constraint

101. Evening breeze, Waimeha Lagoon

101. Evening breeze, Waimeha Lagoon

Golden fluff in moonlit motion; creative control and its inevitable decisions

98. Electric night, Golden Bay

98. Electric night, Golden Bay

Palms, balm and moonlit calm; the issue of personal safety and the usefulness of a lighting assistant

97. Nikau mates, Te Hapu moonlight

97. Nikau mates, Te Hapu moonlight

Vertical grace and green against a starry sky; the search for critical focus

95. Kaikoura evening

95. Kaikoura evening

Moon and artist’s cloud over no. 2 shellfish processing factory; wide angle and mixed lighting

92. Stars over Mangarakau, Golden Bay

92. Stars over Mangarakau, Golden Bay

Streaks of unexpected colour on a moonless night; “It must be film!”

« Previous Page Next Page »

Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

Categories

Archives