No moon, no worries

No moon, no worries

2860-61. No moon, no worries, 8.49-8.50pm, 26 October 2015

The city by evening can have plenty of light for night photography, either diffused from street lights or reflected by low cloud. So if your moon disappears from view, look for other possibilities. In this case, an unusual streak of light came from student quarters just over the fence, while the cloud is coloured by sodium street lighting. The pasture adjoins a historic reserve (an old pa site to the right) above Te Henui Stream and borders the city cemetery on the left. This evening I had the place all to myself – except for the sheep. Two telephoto images make up this panorama; double click on the scene for a larger view.

85mm; ISO 500 / 1000. 30 seconds @ f5.6 and f8.

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Moonlit margin, Taranaki

Moonlit panorama, Taranaki

Moonlit margin, Taranaki. 27 August 2015, 9.50 – 9.51pm

In Taranaki a calm, clear night with a waxing moon is not to be ignored – but rather than drive around, I sometimes prefer to walk out and see what turns up, as pastoral peace on the city margins is not too far away. This two-frame panorama of contented cattle sums up my evening, although my cold, wet feet also made themselves felt by this point. My new photo book on Mt Taranaki will feature day and night photography, but only in standard frame images – no scope for panoramas! Double click on the image for a larger view.

50mm, ISO 250. 30 secs at f4 for each.

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Beach Rd twins, Collingwood

0440 Beach Road, Collingwood

0440 Burnett Range from Collingwood

A cool southerly breezed down the Aorere valley as dark descended on the chief settlement of western Golden Bay. Heading out on Beach Road, away from the village, soon demonstrated the power of microclimate, as around the corner, in the lee of the hill forming a backdrop to the township, there was utter calm. The two photos were taken about 100 metres apart, but with telephoto (135mm) and wide angle (28mm) lenses. Above, 30 seconds; below, 15 seconds – almost too slow to hold the cloud formation. Not surprisingly, clouds move faster on telephoto images than on wide angle ones.

0430 Beach Rd, Collingwood

 0430 Beach Rd, Collingwood

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Bold sentry, Paritutu evening

3409 Odd conjunction, Paritutu

3409 Bold sentry, Paritutu, New Plymouth. 11.34pm, 21 July 2013

I admit to some anxiety parading a mannequin in a public place late at night, being too old for the art student look, so I was relieved to have this popular venue to myself for the duration. The torso was a gift from my daughter, intended as offset to a female mannequin she admired in one of my old photos. The pot plant is 100% artificial too. Moonlight and port lighting (background) are supplemented with torchlight on my two props. The steps lead to a brutalist viewing platform below Paritutu, the steep volcanic remnant which dominates the local coastline. A cloudlet wandered over, to complete the composition. Not recommended for biscuit tins.

28mm, ISO 2000. 30 sec at f16

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The golf course after dark – pano

Fitzroy Pano, 2 Feb 2015

9978-79 The golf course after dark, New Plymouth. 10.36pm, 3 February 2015

In post-processing I chose two frames which looked doubtful for the auto program to handle, so was agreeably surprised to have them adroitly merged, despite the likely dislocation of fast-moving clouds. I had stopped these on each frame with short exposures; faster shutter speeds were possible but only at wider apertures, which would sacrifice depth of field. City lights fill in the moon-shadow on the left and highlight the macrocarpa trunk and offshore clouds, but to the right is sodium-free, being leeward of the ridge. Human silhouettes would add further interest – one day I must duplicate some people by having them move from one frame to the other in the pause between exposures. Double-click on the image for a closer look.

50mm, ISO 2000. 2.5 secs at f4 for both frames

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On the links, Fitzroy full moon

9940.16x9 On the links, Fitzroy

9940 On the links, Fitzroy full moon. 10.05pm, 3 February 2015

Sited as it is on old dunes, the golf course has some pleasant undulations; two stiles on the street suggested a ramble. A potential problem for moonlight photography was the row of sodium nearby – moonlight can’t compete with city lights, but when they are at a good distance some balance can emerge. The two light sources are also far apart in their colour temperatures so an either/or selection must be made on your camera setting (actually not quite true – an intermediate choice is possible, but not as a preset). In this case the warm sodium glow was acceptable and a higher colour temperature ensured a natural look to the clouds. I asked my wife & companion Narumon to stand on the rise and she held her pose very ably while the clouds moved into position. The image has been cropped to 16×9 and now graces my own screen as wallpaper.

50mm, ISO 2000. 2 secs at f4.5

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Te Rewa Rewa silhouettes

9396 Te Rewa Rewa cabbage trees

9396 Te Rewa Rewa silhouettes, New Plymouth. 9.58pm, 5 January 2015

For the night photographer New Zealand has some distinctive silhouettes to add to sky & cloud studies. Shown are cabbage trees (ti kouka) but tree ferns, pohutukawa and the nikau palm also come to mind. Puriri, young kauri and kahikatea have great profiles in specimen too. However the usual problem is to find one or several on their own, handily arranged for your viewpoint. Here the sky is moonlit blue while the low cloud reflects city lights to striking effect. Jupiter and Venus for the top corner were unfortunately not available.

50mm, ISO 2000. 3 secs at f5.6

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Nelson gothic, by street light

Nelson gothic

8715 Nelson gothic, by street light

Photographer William Tyree’s pile, on Whitby Rd – but hardly Gothic. In uploading this I suddenly realised that a spectral figure was needed at the gate! How easily I could have stepped into the shot myself, halfway through the exposure, yet the thought never occurred to me. Now I see as obvious the need for a third punch for the composition, especially something in blue – such as I was wearing at the time. Doh.

“Life can only be understood backwards; but it must be lived forwards.” – Søren Kierkegaard

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296. Perfect evening, Ngamotu Rd

Perfect evening, Ngamotu Rd

Perfect evening, Ngamotu Rd, New Plymouth. 10.17 – 10.21pm, 25 March 2013

What are the roots that clutch, what branches grow / Out of this stony rubbish?          Son of man, / You cannot say, or guess, for you know only / A heap of broken images    – T.S. Eliot, The Waste Land

85mm; ISO 500. 4 minutes at f16

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293. Blue of larkspur, Spotswood

Blue moment in Spotswood

Blue of larkspur, Spotswood, New Plymouth. 9.08pm, 25 March 2013

Made cool the dry rock and made firm the sand / In blue of larkspur,                            blue of Mary’s colour / Sovegna vos  –  T.S. Eliot, Ash Wednesday IV

85mm; ISO 2000. 4 seconds at f9. Sodium vapour light balance

 

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291. There are no eyes here

There are no eyes here

There are no eyes here, New Plymouth. 8.21 pm, 14 March 2013

There are no eyes here / In this valley of dying stars / In this hollow valley /                This broken jaw of our lost kingdoms  –  T.S. Eliot, The Hollow Men

85mm; ISO 500. 30 seconds at f16. Incandescent light balance

 

 

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272. Echoes in Frankleigh Park

Echoes in Frankleigh Park, New Plymouth. 10.42 pm, 30 October 2012

I mused for a few moments on the question of which was worse, to lead a life so boring that you are easily enchanted, or a life so full of stimulus that you are easily bored.
Bill Bryson, Lost Continent: Travels In Small-Town America

85mm; ISO 2000. 15 seconds at f16. Sodium vapour light balance

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269. Still round the corner

Still round the corner, New Plymouth.  10.49 pm, 30 October 2012

Still round the corner there may wait / A new road or a secret gate
And though I oft have passed them by / A day will come at last when I
Shall take the hidden paths that run / West of the Moon, East of the Sun.

                                                                                                            – J.R.R. Tolkien

85mm; ISO 2000. 20 seconds at f16. Sodium vapour light balance

 

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256. Almost spring, Westown

Almost spring, Westown, New Plymouth. 7.54 pm, 29 August 2012

 There is something infinitely healing in the repeated refrains of nature – the assurance that dawn comes after night, and spring after winter.  –  Rachel Carson, Silent Spring

85mm; ISO 1000. 30 seconds at f11. Sodium vapour light balance

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252. Peekaboo moon, Taranaki

Peekaboo moon, Taranaki. 1.05 am, 26 August 2012

Artists are born kneeling; they fight to stand. Critics, by nature of the judgement seat, are born sitting.  –  Hortense Calisher (US novelist) [adapted]

50mm; ISO 2000. 30 seconds at f16. Sodium vapour light balance

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243. Winter in Waiuku country

Winter in Waiuku country, South Auckland. 11.51 pm, 28 July 2012

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.Michael Kenna

 28mm; ISO 2000. 30 seconds at f5.6

 

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241. Darkness on the Old Mountain Rd, Taranaki

Darkness on the Old Mountain Rd, Taranaki. 6.51 – 6.56 pm, 9 July 2012

To be exempt from the passions with which others are tormented, is the only pleasing solitude.  –  Joseph Addison

Driving north in the early evening, I paused on a 2 km disused section of the old highway, quaint now for its narrowness and rustic one-lane bridge. The night was cold and moonless, with a constant hubbub from the nearby highway. No one came by while I tussled with the split focus (between initial flash and the following l-o-n-g exposure) of gate/mountain with a telephoto.

I’m surprised to see Mt Taranaki lit up by the street lights of surrounding towns, but knew my own parking lights would contribute to the gate’s illumination. I was on my way back to New Plymouth, but after a long day on the road was too cold & weary to attempt more than this.

85mm; ISO 2500. 335 seconds (5.5 mins) at f11

 

 

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239. From our balcony, after midnight

From our balcony, after midnight. 12.04 am, 6 May 2012

[Only the camera can express] the full majesty of the moment. –  Paul Leopold Rosenfeld

Looking down on the tops of the persimmon. You can only do this on a very still night, as the slightest breeze blurs the detail. However, to get a really creative blur, you need a gusty evening – nothing in-between is very satisfying. An aperture of f16 is the smallest on my telephoto lens; at close range the depth of field is minimal even at this setting. The light is a mixture of moonlight and ambient city light. The cool tones of the background roof show mainly moonlight (it is leeward of city light), while the warmer leafage shows it was more exposed to the street lighting.

85mm, ISO 2000. 108 seconds at f16. Sodium vapor lamp light balance

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238. Persimmon by moonlight

Persimmon by moonlight, Nelson. 1.14 am, 6 May 2012

I can gather all the news I need on the weather report.  –  Paul Simon (The Only Living Boy in New York)

Still lifes by moonlight are formidable propositions because of the problems in seeing what you have, particularly with close framing and the shallow depth of field of a mild telephoto. This scene was by our front door in Nelson. The background light is mainly moonlight, with some city fill. Persimmon trees loose their leaves with surprising speed – one windy night soon after did the trick! But now we are back in the North Island, in New Plymouth.

85mm; ISO 2000. 30 seconds at f3.2

 

 

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233. High tide, no moon, Waimea Inlet

High tide, no moon, Waimea Inlet, Nelson.  7.10 –  7.17 pm, 15 June 2012

Photographing at night can be fascinating because we lose some of the control over what happens in front of the camera.  –  Michael Kenna

 28mm, ISO 2000. 464 seconds (7 min 44 sec) at f13. Sodium vapour light balance

 

 

 

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