A roadside view from a calendar tour of the South Island, made over autumn with my wife Al. This early morning scene explained the chilly temperature in our camper van overnight. We then drove a little way up the summit road before the snow and slush made it clear that the rest of the way would be on foot.
This telephoto view is from above the main highway, not far from Mitchell’s Cottage. I like the long shadows here, and the interest added by the derelict woolshed and the sheep. The scale of the scene does not come across though, the full grandeur of the range being obscured by cloud. Fortunately this cleared during our long trudge to the tops.
Such contrast! A scene I could not resist, although I have no record of its exact location, nor the season – nor can I be definite that this was taken in 2002. This lapse is instructive, because for so many years I kept a film diary, noting the place, people and date of every exposure – even the camera settings sometimes. Kodachrome had the date of processing recorded on the slide mount, which was handy, but the only other way of keeping track was to annotate your B&W proof sheets as you made them (I did that too).
How easy it is to forget that before EXIF data automatically captured all such details (location excepted), it took effort to retain such basic information. Alas, I gave up this important record-keeping in 1986, to my later regret. Although my friends believe I have an excellent recall of time and place, the truth is less flattering: memory is an unreliable aid.
Autumn frost, Waipiata, Central Otago. 23 May 1984
One frosty morning during a calendar tour we wandered the small railway settlement of Waipiata in search of material. This church set amongst lovely oaks caught my eye. The cycling sensation that is the Central Otago Rail Trail was still some years away then; I have not been back since but Google street view shows 12 Main St to be just the same scene. This is surprising considering that so many views change in a just a few years – new roads and subdivisions, trees and hedges removed, railways demolished.
This is of course a composition in thirds, with a power pole providing a half as well. Colour palette is subdued, the highlights being only the cluster of leaves and the church. This would be an attractive scene by twilight as well, with a torch handy.
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