130. The usual suspects, by moonlight

The usual suspects, by moonlight. 8.50 pm, 12 March 2011

All glory comes from daring to begin – Eugene F. Ware, American soldier

There’s no better time for moonlight photography than when you are on holiday with a large territory you are free to wander over. Here’s a memorable evening at summer’s end with a cool southwester still about, as indicated in this well-clad group study. Remarkable about this line-up at Kaihoka, Golden Bay is my lack of better stage direction and that these obliging folk have all held still for half a minute.

At least I have separated the two coloured jackets and arranged people by height, while the long shutter is a necessity with the Lumix LX3 as anything over ISO 200 results in excessive noise. The skin tones are great and there’s a pleasant warmth overall. If this was a daylight photo only its slight underexposure might warrant comment, but this is no-street-light-for-miles, 100% full spectrum moonlight… the kind I really like.

My nameless victims are resting their heads against the corrugated iron to help hold their poses, a technique evocative of old-time daylight photography. In the 1840 – 1890 era slow emulsions required similarly long exposures, and the same sort of accommodating poses. When you attempt this sort of line-up yourself, try one with the last person on the right moving about in a blur. As we typically scan images left to right, this should create a startling effect. So why didn’t I think of that at the time?

Despite the possibly unsavoury context for the quote, I use it as an unsubtle prompt for two of the people shown and as a reminder to myself as well, to “Get going!” As a fatuous generalisation there are two types of people: those who have trouble finishing anything, and those in the opposite camp, who have ignition issues. Active self-starting bodies are in the first division; passive vessels with hard-to-find crank handles are in the second.

”24mm”, ISO 200. 30 seconds at f2