October 25, 2010 6:45 pm
Winter outings under a clear sky and high moon make for pleasant social excursions, especially when everyone is properly kitted up. The city of Nelson is ringed by hills, and with just a few turns in the road – usually uphill – you are soon removed from urban lights and noise. There’s safety in numbers too, and so I was out with four venturesome women friends. Parking at the Tantragee Saddle, we walked down the access road to Groom Creek, a minor tributary of the Maitai.
Not so long ago this was a charming byway, which criss-crossed Groom Creek with rustic copses along the way. Now the road has been upgraded to take logging trucks, and its leafy margins have been cleared. Above, we’re close to a logging platform, as the rigging suggests. With moonlight photography only occasionally can you see what you’re doing in the Lumix LX3 viewfinder, so to have the bright sky and cloud quite visible this night was a big help.
With a 50 second exposure (f2, ISO 200) and four people posing, there’s little scope for extra shots, and you have to think quickly on the technicals and how to choreograph your subjects. So I was happy to get this in just one exposure. Then there’s the fun of everyone waiting another 50 seconds for the image to show – while I try to think of other possible angles. However, you have to keep up with the company, and that night some of them were reluctant to stand still because they were cold.
Active ingredients in this pic are the moving cloud, silhouettes and the unexpected profile of the derrick. You could get a similar effect with a sunlit underexposure, and then take a dozen variations quite quickly too, but the cloud blur as a capping element is simply not possible by day. In outdoor terms, captured motion is a creative dimension unique to deep twilight and the dark.
Posted by Barney Brewster
Categories: Night photography