Night photography

207. The truth more plausible, from Kaiteriteri

207. The truth more plausible, from Kaiteriteri

To make the truth more plausible, it is absolutely necessary to mix a bit of falsehood with it.  –  Dostoevsky Staying three nights this week at Marahau, gateway to Abel Tasman National Park (Nelson), we had lovely evenings “to behold the waxing moon”. At Kaka Pa Point we discovered an easy path down to a sandy cove, Breaker Bay, above which […]

205. Full moon at Back Beach: Night for day

205. Full moon at Back Beach: Night for day

The world to me is a dream and the people in it are sleepers. I have known a few instances of intensity but that is all.  – Katherine Mansfield 28mm, ISO 2000. 6 secs at f2.8  

204. Moonlit peace of mind, Waimarama

204. Moonlit peace of mind, Waimarama

I do not want the peace that passeth understanding. I want the understanding which bringeth peace.  –  Helen Keller 85mm, ISO 2000. 30 secs at f16

202. Approaching port, Wellington evening

202. Approaching port, Wellington evening

What you do comes from what you think.  –  A Course in Miracles 85mm, ISO 2000. 13 secs at f11. Incandescent light balance

200. The bluffs at moonset, Gilbert’s Beach

200. The bluffs at moonset, Gilbert’s Beach

If only I could stand on a street corner with my hat in my hand, and get people to throw their wasted time into it!  –  Bernard Berenson, U.S. art critic Taken last year at Te Hapu, Golden Bay and recalled by our more recent stay. Moonset before midnight always means a crescent moon, a simple […]

199. Arriving at Wellington, evening ferry

199. Arriving at Wellington, evening ferry

 Life is a badly edited film.  –  Fernando Trueba This was taken without using a tripod or cable release – just holding the camera open on B, on a guard rail on the Cook Strait ferry, has done the trick. The cloud is lit by moonlight, the lower part of the image must be the motorway the […]

197. The right moment, Te Hapu

197. The right moment, Te Hapu

Blend a little foolishness with your wisdom: it’s nice to be silly at the right moment. –  Horace 28mm, ISO 2000. 30 secs at f8. Flash  

196. The best relationship, at night

196. The best relationship, at night

Health is the greatest gift; Contentment the greatest wealth; Faithfulness the best relationship.  –  Buddha 28mm, ISO 2000. 123 secs at f22. Flash

195. Moonlit moment, Golden Bay

195. Moonlit moment, Golden Bay

What’s gone and what’s past help, should be past grief.  –  William Shakespeare 50mm, ISO 2000. 2.5 secs at f4  

194. Gypsy hymns & moonlight swims

194. Gypsy hymns & moonlight swims

  With your silhouette when the sunlight dims, into your eyes when the moonlight swims, and your matchbook songs and gypsy hymns: Who among them would try to impress you? –  Bob Dylan (Sad-eyed Lady of the Lowlands) 85mm, ISO 2000. 5 secs at f11

193. Front country, Te Hapu, by moonlight

193. Front country, Te Hapu, by moonlight

… all our senses will be purified, and there will be nothing to criticize and no unhappy memories.  –  Srila Narayana Maharaja 28mm, ISO 2000. 2.5 secs at f2.8  

191. Ukelele evening, Golden Bay

191. Ukelele evening, Golden Bay

When I admire the wonder of a sunset or the beauty of the moon, my soul expands.  – Gandhi 50mm, ISO 2000. 15 secs at f11  

189. A fool sees a tree

189. A fool sees a tree

A fool sees a tree, by moonlight. 11.49pm, 10 January 2012  A fool sees not the same tree that a wise man sees.  – William Blake 28mm, ISO 2000. 30 secs at f13. Flash

188. Summer’s night, Westhaven Inlet

188. Summer’s night, Westhaven Inlet

Summer’s night, Westhaven Inlet. 11.17pm, 10 January 2012 Everything in life that we really accept undergoes a change.  –  Katherine Mansfield 50mm, ISO 2000. 170 secs at f22. Flash.

187. Road less travelled, by the full moon

187. Road less travelled, by the full moon

The World is a book, and those who do not travel read only a page.  –  St Augustine  28mm, ISO 2000. 30 secs at f11

186. First draft, night for day

186. First draft, night for day

If we all threw our problems in a pile and saw everyone else’s, we’d grab ours back.  –  Regina Brett, at 90 85mm, ISO 2000. 10 secs at f1.4

185. End of the road, Golden Bay

185. End of the road, Golden Bay

 When in doubt, just take the next small step.  –  Regina Brett, at 90 28mm, ISO 2000. 30 secs at f10. Incandescent light balance  

183. Swans unseen, before midnight

183. Swans unseen, before midnight

 When we are unable to find tranquillity within ourselves, it is useless to seek it elsewhere.  –  de La Rochefoucauld 85mm, ISO 2000. 4 secs at f2. 5000 deg K

182. Hayrolls by the rising moon, Golden Bay

182. Hayrolls by the rising moon, Golden Bay

The future is purchased by the present.  –  Samuel Johnson 28mm, ISO 2500. 30 secs at f10

180. Moonlight pastorale

180. Moonlight pastorale

The real difference between people is energy. –  Thomas Fuller 85mm, ISO 2000. 30 seconds at f7.1

179. Moonlight from a hilltop

179. Moonlight from a hilltop

Through the friendly silence of the soundless moonlight. – Virgil 50mm, ISO 500. 30 seconds at f16. Flash

178. Midnight view to the beach, Paturau

178. Midnight view to the beach, Paturau

The love of life is necessary to the vigorous prosecution of any undertaking. – Samuel Johnson 50mm, ISO 2000. 13 seconds at f8. Flash

177. Paturau pastorale at night

177. Paturau pastorale at night

Efforts and courage are not enough without purpose and direction. –  J.F. Kennedy 28mm, ISO 2000. 30 secs at f8. Flash

176. Paturau sheep by moonlight

176. Paturau sheep by moonlight

It is madness for sheep to talk peace with a wolf. –  Thomas Fuller 85mm, ISO 2000. 10 secs at f4.5

173. Night riot in green

173. Night riot in green

I confess that the head gardener has long asked for a moonlight photo of these louts, here at home. On the wrong side of a trellis, the artichokes are shaded from the full moon until after midnight; they’re also exposed to the sickly orange of streetlights. To fix the first problem I togged up after […]

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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