Night photography

172. Backlit by moonlight

172. Backlit by moonlight

Backlit by moonlight. 2.47 am, 11 November 2011 Most of us swim in the ocean of the commonplace. –  Pio Baroja Although I’m not really satisfied with this, returning for another attempt wouldn’t deliver the same magic I first found here. While commonplace as to foliage, the light on this scene was striking, being an […]

171. Moonlit natives

171. Moonlit natives

Friendship is a sheltering tree. –  S.T. Coleridge Peering through a suburban cabbage tree involved an awkward set-up on sloping ground; every slight adjustment of the tripod also changed the ponga ferns relative to the foreground. I was however nicely sheltered from a frigid gale. I’ve used a conventional depth of field method known as […]

170. Some colours of spring

170. Some colours of spring

Experience is the comb that nature gives us when we are bald.  –  Anon Another split focus, single frame experiment; the hairdresser’s quote is suggested by the full-frontal flash on the flower stalks. For the rest of the exposure the lens barrel has been swiftly rotated, moving the focus closer to infinity. This gives reasonable […]

169. Fern and farm, autumn night

169. Fern and farm, autumn night

  Fern and farm, autumn night. 8.58pm, 19 May 2011 Great works are performed not by strength but by perseverance. –  Samuel Johnson Taranaki is so wet that ferns thrive even out on their own, as here on farmland close to town. The extra lighting is from a penlight, and far more subtle than in […]

168. Mardi gras

168. Mardi gras

  There are no innocent desires. –  Luis Bunuel (attrib.) This well lit figure stands by a pond fringed with planted natives. The pond is also fringed by the suburbs; it’s on a reserve within walking distance of home, one which is a pleasure to reach without having to take the car. There is plenty […]

166. Frail mystic ships, Port Taranaki

166. Frail mystic ships, Port Taranaki

Time is the reef upon which all our frail mystic ships are wrecked. –  Noel Coward Here you see no ships nor port, but a curious effect of some tricky experimentation. Changing the focus manually during exposure gives two planes of focus! For technical reasons this works best on telephoto, using flash before a time […]

165. Later that same evening

165. Later that same evening

The truth is more important than the facts. –  Frank Lloyd Wright I clambered up a cutting for this welcome perspective, then waited a while for a car to complete the picture, a 5 min 35 sec exposure. The car is actually a police car looking for me. A strange vehicle has been reported down […]

164. Moonlit evening, passing car

164. Moonlit evening, passing car

Too much light is like too much darkness: you cannot see. –  Octavio Paz Mt Taranaki and the Southern Cross. I’d had this viewpoint in mind for sometime, as it has a convenient carpark and a sweeping bend. Much depends on car speed, headlight direction and high or low beam – plus ISO choice and […]

163. Moonlight on Te Rewa Rewa

163. Moonlight on Te Rewa Rewa

The thing always happens that you really believe in, and the belief in a thing makes it happen. –  Frank Lloyd Wright Using the smallest aperture on the bridge I got both the near bones and the distant peak into sharp focus with a telephoto lens. A lower ISO was needed to extend the exposure […]

162. Kapiti moonlight: Bright shore

162. Kapiti moonlight: Bright shore

Live as long as you may, the first 20 years are the longest half of your life.  – Southey A composition in classic thirds. The quote is personal, referring to my first return to Waikanae Beach since spring 1976, with some ardent memories attached. Youthful impressions can be deepest on the sand! Bright shore means […]

160. Spring moonshine: Free performance

160. Spring moonshine: Free performance

No state of affairs is ever perfect. –  Horace On a mild spring evening a slip of a moon comes down the starry sky to a calm sea. What a marvellous programme! A bench seat was provided but there was no admission charge,  applause or intermission – and no commercials. Truth be told though, I […]

158. Night blossom in Gothic

158. Night blossom in Gothic

Correction does much, but encouragement does more. –  J. von Goethe Driving back after sunset from an amble around Stratford, Taranaki, I was pleased to see this dramatic church in Inglewood, the next country town. The magnificent kowhai tree in front was laden with blossom, while a branch hung down above the main floodlight. Not […]

157. Mary and Child by full moon

157. Mary and Child by full moon

One forgives as much as one loves. –  La Rochefoucauld The old water reservoir at Nelson is a peaceful place for pic-spotting by the moonlight photographer, in part because access to it is through a motor camp. It may be needless to say, but when you’re out at night it’s important to feel safe so […]

156. Magic magnolias, by moonlight

156. Magic magnolias, by moonlight

Our wealth lies not in what we have, but in what we enjoy. –  Anonymous So where the clear light of day would need only 20 seconds for preparation and never more than a second for exposure, I choose the half-light of evening and belabour the task for far too long… It must be the […]

155. Three lights at Paritutu

155. Three lights at Paritutu

Three lights at Paritutu, New Plymouth. 9.36pm, 10 September 2011 I have memory, which is the idiot’s talent. –  Francisco Umbral The three lights are moonlight (at sea), nearby industrial lighting and flash for the foreground. This shot has a cool feel because the incandescent (tungsten) setting was used to cool the light on the […]

154. Suburban moment, New Plymouth

154. Suburban moment, New Plymouth

Life is made up of marble and mud. –  Nathaniel Hawthorne It’s surprising what you find close to home when you can’t venture far. Apart from their starriness, this scene matches with the previous one, Marahau before moonrise, in one  sense: use of f4. However their shutter times demonstrate how far apart light levels can […]

153. Marahau before moonrise, Abel Tasman coast

153. Marahau before moonrise, Abel Tasman coast

Somehow to capture the constantly evanescent quality of existence. – Tennessee Williams, on his goal in writing It can be a pain to wait for the moonrise on those nights following full moon – although you do get some quality time with undimmed stars and the odd cloud capture. Eventually the eastern horizon lightens and […]

152. Moonlit mountain

152. Moonlit mountain

Everybody has talent at 25. The difficult thing is to have it at 50. –  Edward Degas. With midnight as my deadline, this roadside shot was one of my last for this cool but lovely evening. Pheney Rd is a quiet country location but it is not far from the city and camerawork is not […]

151. Magnolias by night

151. Magnolias by night

No act of kindness, no matter how small, is ever wasted. –  Aesop Last full moon I spent many happy hours over several evenings tackling the budding magnolia next door. This one worked better at f5.6 than at f16, to my surprise, but with f16 needing nearly 5 minutes the risk of a breeze was […]

150. Moonlit magnolias

150. Moonlit magnolias

Desire is something irrational for which one always has to pay a high price. – Pedro Almodovar On biting winter evenings two strategies can help prise the moonlight photographer from homely warmth. Either go out while it’s still daylight, or stay close to home – for an easier retreat. For this extended exposure in the […]

147. Hawkes Bay from Awatoto, by moonlight

147. Hawkes Bay from Awatoto, by moonlight

Good sense travels on well worn paths; genius never. –  Cesar Lombroso The skies were clear but the wind was howling as I set up on the cycleway, across the way from the fertiliser works near Napier. Any shot that I failed to shelter from the windgusts was useless, so I hovered as close to […]

146. One minute by moonlight

146. One minute by moonlight

Strange to see how a good dinner and feasting reconciles everybody. –  Samuel Pepys, Diary 1665 “24mm”, ISO 800. 60 seconds at f2  

145. Surf and moonlit clouds, Taranaki

145. Surf and moonlit clouds, Taranaki

Never confuse activity with action. –  F. Scott Fitzgerald 28mm, ISO 2000. 2.5 seconds at f2.8. Incandescent light balance, flash

144. Moonlit war graves, Te Henui

144. Moonlit war graves, Te Henui

The only ones among you who will be really happy are those who will have sought and found how to serve. –  Albert Schweitzer 85mm, ISO 2000. 30 seconds at f7.1  

143. War graves by moonlight

143. War graves by moonlight

Never in his life could an idiot do such foolish things as are sometimes done by nations governed by hundreds of talented people. –  Benito Perez Galdos 28mm, ISO 2000. 2 minutes at f16. Incandescent light balance.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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