animals

183. Swans unseen, before midnight

183. Swans unseen, before midnight

 When we are unable to find tranquillity within ourselves, it is useless to seek it elsewhere.  –  de La Rochefoucauld 85mm, ISO 2000. 4 secs at f2. 5000 deg K

181. Twilight gathering, North Head

181. Twilight gathering, North Head

Do not dwell on the past; do not dream of the future. Concentrate the mind on the present moment.  –  Buddha 85mm ISO 2000. 1/10th sec at f5.6. Flash at 10,000 deg K

180. Moonlight pastorale

180. Moonlight pastorale

The real difference between people is energy. –  Thomas Fuller 85mm, ISO 2000. 30 seconds at f7.1

176. Paturau sheep by moonlight

176. Paturau sheep by moonlight

It is madness for sheep to talk peace with a wolf. –  Thomas Fuller 85mm, ISO 2000. 10 secs at f4.5

137. Moonlit lagoon, winter

137. Moonlit lagoon, winter

It is only with the heart that one can see properly; what is essential is invisible to the eye. –  Antoine de St Exupery Although my heart is in this place, in this case I saw by ear, as the swans weren’t visible by moonlight. However they were very audible, and other wetland birdlife also […]

69. Three wary birds, one wet night

69. Three wary birds, one wet night

30 seconds in the life of waterfowl; balancing harsh and hand-crafted lighting

57. At Swim Three Birds, Lake Taupo

57. At Swim Three Birds, Lake Taupo

From a pier on a rainy summer’s evening; an experiment with flash, tungsten and long exposure

22. Te Mata moonrise, Hawkes Bay

22. Te Mata moonrise, Hawkes Bay

Photo ops on the evening before full moon; the three-punch theory of composition

17. A grove in early spring, and a moonlight metaphor

17. A grove in early spring, and a moonlight metaphor

Moonlight draws the veil; a stallion becomes a pony.

8. Rustic evening near Omata, Taranaki

8. Rustic evening near Omata, Taranaki

Farm animals make good subjects for moonlight photography – precisely because they won’t keep still.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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