auckland

Open your hands if you want to be held

Open your hands if you want to be held

Our final visit with Rumi, at least for the time being; here the anxious, solitary image of Claire reinforces the simple message, one of many brevities which gleam like semi-precious stones in his meandering poetic landscapes. For New Zealanders the landscape above should also have an evocative power, as flax, ti kouka and nikau feature. […]

One of the marvels of the world – Rumi

One of the marvels of the world – Rumi

With this pungent comment Rumi sits at the crossroads of western and eastern mysticism. The sentiment permeates all types of introspective spirituality, and is familiar to Christians through Luke’s singular statement that “The Kingdom of God is within you”. Meanwhile it is of course a dominant theme in eastern mysticism. Rumi wrote voluminously, having no […]

Modest Epiphanies: Early morning flax

Modest Epiphanies: Early morning flax

Not every image in my Modest Epiphanies 2019 Calendar was actually taken in the month it displays, but this autumnal scene was a good fit for MAY, although the only hint of autumn being in the misty background. New Zealand’s native vegetation is almost entirely evergreen, but summer shows with flower stalks on the flax […]

The Soul is Here for Its Own Joy – Rumi

The Soul is Here for Its Own Joy – Rumi

Gee I wish I’d known this much earlier in life. Model Claire cautiously embodies the sentiment however, one fine Sunday on the beach at Kaiterakihi, on the Manukau. A 13th century Persian poet, Rumi still gets frequent airplay. He was a devout but liberal Muslim (of the Sufi variety) and his poignant – sometimes earthy […]

Modest Epiphanies 2: Bovine bliss

Modest Epiphanies 2: Bovine bliss

These two beasts-and-a-nose were the outliers of a contented herd, all having a lunch break to chew things over. A great gem set in the heart of Auckland, Cornwall Park is the extensive green space which surrounds the old volcanic cone of One Tree Hill / Maungakiekie.  It’s a good place to pause when you […]

Roadside view 2: Dark satanic mill

Roadside view 2: Dark satanic mill

As a magnificent blot on the landscape the steel mill at Waiuku, south of Auckland, is very impressive. In this shot its dreariness is stylised by layering, using the line of pines it is seen through. Another example of a “look-through” composition, this is one I was definitely searching for. Here the main feature seems […]

Mystic pool, Whatipu

Mystic pool, Whatipu

7753. Mystic pool, Whatipu. 3.53pm, 12 June 2014 The crowds have gone and the druids have left the rostrum. All the devotees who waited so patiently for immersion are now initiated, have packed their tents and left for the long return to their temples. Soon night will fall and the whole arena will be reclaimed by […]

Hauraki Gulf moonlight: A cautionary tale

Hauraki Gulf moonlight: A cautionary tale

8075 Hauraki moonlit selfie, to tow truck soundtrack This is the last frame from a series I took from Achilles Point, a suburban vantage point at St Heliers, Auckland. The view is east, towards Brown’s Island (Motukorea), with Great Barrier Island on the far horizon. More a matter of record than any artistic statement, this […]

Rangitoto from Achilles Point panorama

Rangitoto from Achilles Point panorama

Rangitoto from Achilles Pt, Auckland. Two frames merged into one, so same ferry twice – each exposure is 30 seconds, by moonlight. The Point is at St Heliers; it’s a good lookout as long as you don’t get caught (as I did) by the local council’s draconian parking restrictions. Park well down the street!  

Claire & co in the wilderness

Claire & co in the wilderness

7707. Claire & co at Whatipu A discrete chair in the Whatipu wilderness puts you one step ahead in the relaxed model stakes – as does a warm coat – but the secret ingredient to portrait work seems to be having an accomplice, one who distracts the subject with lively conversation while the photographer pretends […]

Signs and sacrifices

Signs and sacrifices

7790. Signs and sacrifices A pause in readings from the Little Book of Sacrifices. A simple lateral flick-trick found online has brought out some unexpected imagery, while a slight re-framing avoids complete symmetry. A warm duotone was selected after conversion from the colour original. The hand-colouring is hardly brilliant, but this looks to be a […]

Reading the Little Book of Calm

Reading the Little Book of Calm

7780. Reading the Little Book of Calm Or something like it. Claire is distracted with readings from a good book. Light ent., relief and engagement shine through as the drizzle descends. Low angle with tripod; wide angle lens predictably highlights her fine hands; her hair is emphasised by post-pro desaturation and selective re-saturation. An important […]

Claire and pal at Whatipu

Claire and pal at Whatipu

7701. Claire and pal at Whatipu Whatipu is a vast expanse of beach and wetland on Auckland’s west coast. It’s a wild place and amazingly changed since my first visit over 40 years ago – wider and wetter, it is now also far more vegetated. On a winter’s afternoon we barely sampled the place – […]

Flax woman at the bay

Flax woman at the bay

6385b. Flax woman at the bay In post-processing this simple image transforms, giving two quite different versions. In the image above, I dialled back the saturation and increased the contrast (80% in each case), to mimic the current glossy style. In the monochrome below, each colour channel was separately modified in the conversion process, so […]

Claire at Kaitarakihi Bay

Claire at Kaitarakihi Bay

6361a Claire at Kaitarakihi Bay A change of tack now, as I pick up another theme from my early years of photography – the portrait. For people shots I’ve always liked simple set-ups by available light – and a timeless look. However there was no fooling Claire, who immediately nailed this as “Retro”. The location […]

November 2013 Nightscapes

November 2013 Nightscapes

4086 Mokau Highway, Taranaki    8542 Moonlit horses, Awhitu Peninsula   9308 Tank farm, New Plymouth    1128 Angel at Puniho, Taranaki Copyright images in 16:9 wide screen ratio, posted for free download as background wallpaper on your desktop (a right-hand click of your mouse over any image will show this option). Downloads are for personal use only. […]

280. South Auckland, questing

280. South Auckland, questing

More important than the quest for certainty is the quest for clarity  –  Francois Gautier 50mm; ISO 2000. 10 seconds at f4                

247. Evening fellowship, Waiuku country

247. Evening fellowship, Waiuku country

Good friends, good books, and a sleepy conscience: this is the ideal life. –  Mark Twain 28mm; ISO 2000. 30 seconds at f8

246. Desolation Row, Waiuku country

246. Desolation Row, Waiuku country

And the only sound that’s left / After the ambulances go Is Cinderella sweeping up / On Desolation Row.  –  Bob Dylan 28mm; ISO 2000. 68 seconds at f8

244. Joyful John escapes the city

244. Joyful John escapes the city

Whenever I feel the need to exercise, I lie down until it goes away – Robert M. Hutchins 28mm; ISO 2000. 20 seconds at f5.6  

243. Winter in Waiuku country

243. Winter in Waiuku country

Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities. – Michael Kenna  28mm; ISO 2000. 30 seconds at f5.6  

85. Midnight girls, Auckland

85. Midnight girls, Auckland

The joy of glamorous and co-operative subjects, in colour infra red; the near side of night photography

76. Moonrise at Long Bay, Auckland

76. Moonrise at Long Bay, Auckland

The female form revealed on film; a summery advent of moon rays

45. Karekare before dawn, west Auckland coast

45. Karekare before dawn, west Auckland coast

Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being

44. Moonrise from the Devonport ferry, Auckland

44. Moonrise from the Devonport ferry, Auckland

Movement by the photographer, not something within the frame. But first set up your tripod.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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