Night photography

142. Crescent moon, winter evening

142. Crescent moon, winter evening

Indolence is a delightful but distressing state. We must be doing something to be happy.  – William Hazlitt 85mm, ISO 2000. 3 seconds at f2. Incandescent light balance.

140. Saltwater lagoon by moonlight

140. Saltwater lagoon by moonlight

139. Hawkes Bay springtime, by moonlight

139. Hawkes Bay springtime, by moonlight

[The object of art is] to make eternal the desperately fleeting moment. –                    Tennessee Williams The trick with any arc of headlights is to minimise the full-on glare of the lights, something likely to occur at some point in your frame. Here in the second frame from a moonlight sequence you see a short space […]

138. Moonlit road near Waimarama, Hawkes Bay

138. Moonlit road near Waimarama, Hawkes Bay

Everyone complains of his memory; nobody of his judgement. –  Francois de La Rochefoucauld When setting this up I wasn’t certain I was on a public road, but according to Google this is Cook Road, overlooking Waimarama on the coast. No vehicle came by the whole time, but traffic was regular on the main road […]

137. Moonlit lagoon, winter

137. Moonlit lagoon, winter

It is only with the heart that one can see properly; what is essential is invisible to the eye. –  Antoine de St Exupery Although my heart is in this place, in this case I saw by ear, as the swans weren’t visible by moonlight. However they were very audible, and other wetland birdlife also […]

136. Crescent moon signature, Port Taranaki

136. Crescent moon signature, Port Taranaki

The desire for safety stands against every great and noble enterprise. –  Tacitus You do not have the whole evening to shoot the crescent moon – it retires early. While it’s going, though, the crescent obliges the moonlight photographer on western coasts with some great reflections. The actual light from a crescent appears to be […]

135. Star trails and mountain, from Lake Ratapiko

135. Star trails and mountain, from Lake Ratapiko

I don’t sing because I’m happy. I’m happy because I sing. – William James Ratapiko is a small hydro lake near the edge of the Taranaki ring plain, about 40 minutes northeast of New Plymouth, in a quiet country district. Quiet on a winter’s evening at least, as in season Ratapiko is popular for boating […]

134. Tongariro, Ngauruhoe, moonlight

134. Tongariro, Ngauruhoe, moonlight

The heaventree of stars hung with humid night-blue fruit. –  James Joyce Night-blue signals tungsten film! It was not something I usually shot with, but in my younger days I used whatever film was affordable. To get balanced colour in daylight you had to apply corrective filters, but none were used here, so the blues […]

133. Trail and beach

133. Trail and beach

I say have patience, and shuffle the cards. –  Miguel de Cervantes, 1615 From the 153 m (502 ft) summit of Paritutu, the volcanic landmark backing Port Taranaki, the coastal outlook to Oakura is affected nightly by industrial lighting. Here we look down on Beach Road, leading to a well-lit tank farm but with little […]

131. Kaikoura moonrise, no. 2

131. Kaikoura moonrise, no. 2

Tomorrow we shall set out once more upon the vast sea. –  Horace Moonrises after dark indicate the moon is past full, and these moonrises, especially, need a frame of reference. They benefit from foreground interest, in this case from outcrops alongside the wharf at Kaikoura, on the east coast of the South Island. It’s […]

130. The usual suspects, by moonlight

130. The usual suspects, by moonlight

All glory comes from daring to begin – Eugene F. Ware, American soldier There’s no better time for moonlight photography than when you are on holiday with a large territory you are free to wander over. Here’s a memorable evening at summer’s end with a cool southwester still about, as indicated in this well-clad group […]

129. Electric poplar, autumn

129. Electric poplar, autumn

The real voyage of discovery consists not in seeking new landscapes but in having new eyes. – Marcel Proust Out for an evening’s recreation, I soon noticed these poplars on the fringe of New Plymouth. They are lit by the rising moon and distant street lamps, as well as the lights of a neighbouring school, […]

128. Taranaki contra nuit

128. Taranaki contra nuit

The greater the contrast, the greater the potential. Great energy only comes from a correspondingly great tension between opposites. –  Carl Jung “Contra nuit” adapts the French term contra jour, meaning against-the-light effects, to this special application by full moon. I’ve tried it here from the safety of the broad shadow of a poplar, as […]

127. Beside some moonlit highway

127. Beside some moonlit highway

When inspiration arrives I want it to find me working. –  Pablo Picasso “Some highway” means that I do not know exactly where this was taken. On Easter holiday near Tongariro National Park (central North Island), we were off for a drive-about, on the night before full moon. Here we might be on the Turangi […]

126. Ghosting the Waiwhakaiho walkway

126. Ghosting the Waiwhakaiho walkway

Out with some Scottish friends under a brilliant moon – the best since 1993 – we legged a good stretch of the Waiwhakaiho walkway, on the New Plymouth outskirts. Having noted this viewpoint along the way, it was surprising how long it took to re-locate it on our return. On the wild uplands of Tibet […]

124. Suburban evening, no. 2

124. Suburban evening, no. 2

Low-flying cloud on the outskirts of New Plymouth accompanies this uncommon perspective from a high point near Barrett Domain. Running the beam over this attractive specimen from a steep ridge nearby, I spotted another outline in the background. Although deceased, the second tree adds depth, twisting the perspective further – mostly we look up at […]

123. Silhouette in gold, Back Beach

123. Silhouette in gold, Back Beach

You can boost minimal moonlight by using its reflection for a silhouette – another way to employ the wan light of a slender moon. “Moonlight photography” for me means not photographing the moon itself (another subject entirely), but rather making pictures by its light. The term is freely abused by amateur photographers. For a sharp […]

122. Autumn evening, Ngamotu

122. Autumn evening, Ngamotu

North Taranaki this week has been clear and mild for night photography by the  crescent moon. These slender new moons might give only the feeblest of light but if you can see your shadow by them then there is enough for moonlight photography! Nature also provides some magnifiers for moonlight, the best being its reflection […]

120. Midnight clifftop, Kaikoura

120. Midnight clifftop, Kaikoura

Twelve hours before the Christchurch earthquake I was somewhat wearily walking the quiet waterfront at Kaikoura, 150 km to the north on the east coast. I was happy after a perfect evening of night photography, and had the moon well up behind me when I spotted these trees high above. They fringe the cliffs which […]

119. Uphill and so to bed, Te Hapu

119. Uphill and so to bed, Te Hapu

Despite this corner being at evening’s end Gerry and I were happy for the uphill slog that began here, under a moonless, starry sky. By text message we had heard of the huge earthquake and tsunami in Japan, and remote though Te Hapu station (www.tehapu.co.nz) may be at the top left corner of the South […]

117. Mixed motifs after dark

117. Mixed motifs after dark

Out for some night photography, you’d think that the simple equation of dark = dark at least ensured you had plenty of time to set up your masterpieces as you came upon them. That is, without finding the common daylight problem of something changing your scene. Alas, so often this is not the case! Of […]

116. Suburban evening, New Plymouth

116. Suburban evening, New Plymouth

Once again my title doesn’t really do this justice. The pleasantly secluded location borders Barrett Domain in Westown, on the western outskirts of New Plymouth. I have climbed up to this pastoral corner many times, having first discovered it on a sunny summer’s evening in 1976, when the grass was really long and my model […]

115. Crescent moonset, with Venus

115. Crescent moonset, with Venus

This took around 15 minutes at a small aperture, on Fuji slide film. It was a perfect summer’s evening at Paritutu Centennial Park, and I spent the interlude chatting with a friend. I’m only guessing that the stripe is Venus, but as she often accompanies the early moon it’s a good bet. For trails like […]

114. Nikau mates at Te Hapu, no. 2

114. Nikau mates at Te Hapu, no. 2

We waved the torch over nearby palms on our way back from Gilbert’s Beach, at Te Hapu (www.tehapu.co.nz), a remote cattle station in Golden Bay. On a wide angle lens it is easier to stop the stars, which were more visible with the moon being blotted out by a cloudbank. Having selected Direct sunlight light […]

113. Night at the saltwater lagoon, Waikanae

113. Night at the saltwater lagoon, Waikanae

Moonlight and urban glow at Waimanu; digital ergonomics vs film cameras

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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