Health is the greatest gift; Contentment the greatest wealth; Faithfulness the best relationship.  –  Buddha 28mm, ISO 2000. 123 secs at f22. Flash

  With your silhouette when the sunlight dims, into your eyes when the moonlight swims, and your matchbook songs and gypsy hymns: Who among them would try to impress you? –  Bob Dylan (Sad-eyed Lady of the Lowlands) 85mm, ISO 2000. 5 secs at f11

When I admire the wonder of a sunset or the beauty of the moon, my soul expands.  – Gandhi 50mm, ISO 2000. 15 secs at f11  

Summer’s night, Westhaven Inlet. 11.17pm, 10 January 2012 Everything in life that we really accept undergoes a change.  –  Katherine Mansfield 50mm, ISO 2000. 170 secs at f22. Flash.

Start every day with a smile and get it over with.  –  W.C. Field 85mm, ISO 2000. 1/13th sec at f7.1. Flash, 10000 deg K  

 When we are unable to find tranquillity within ourselves, it is useless to seek it elsewhere.  –  de La Rochefoucauld 85mm, ISO 2000. 4 secs at f2. 5000 deg K

The future is purchased by the present.  –  Samuel Johnson 28mm, ISO 2500. 30 secs at f10

Do not dwell on the past; do not dream of the future. Concentrate the mind on the present moment.  –  Buddha 85mm ISO 2000. 1/10th sec at f5.6. Flash at 10,000 deg K

Efforts and courage are not enough without purpose and direction. –  J.F. Kennedy 28mm, ISO 2000. 30 secs at f8. Flash

The thing always happens that you really believe in, and the belief in a thing makes it happen. –  Frank Lloyd Wright Using the smallest aperture on the bridge I got both the near bones and the distant peak into sharp focus with a telephoto lens. A lower ISO was needed to extend the exposure […]

Live as long as you may, the first 20 years are the longest half of your life.  – Southey A composition in classic thirds. The quote is personal, referring to my first return to Waikanae Beach since spring 1976, with some ardent memories attached. Youthful impressions can be deepest on the sand! Bright shore means […]

Strange to see how a good dinner and feasting reconciles everybody. –  Samuel Pepys, Diary 1665 “24mm”, ISO 800. 60 seconds at f2  

Tomorrow we shall set out once more upon the vast sea. –  Horace Moonrises after dark indicate the moon is past full, and these moonrises, especially, need a frame of reference. They benefit from foreground interest, in this case from outcrops alongside the wharf at Kaikoura, on the east coast of the South Island. It’s […]

Twelve hours before the Christchurch earthquake I was somewhat wearily walking the quiet waterfront at Kaikoura, 150 km to the north on the east coast. I was happy after a perfect evening of night photography, and had the moon well up behind me when I spotted these trees high above. They fringe the cliffs which […]

A companion piece to no. 107. Twilight tractor (and taken 6 minutes later), this electric call to good order conveys another mood. Existentialists may freely dwell on it. Outside the Waikanae boat club 45 minutes after sunset, the balance of light was changing in favour of artificial light. A star is visible in the nightfall. […]

This took around 15 minutes at a small aperture, on Fuji slide film. It was a perfect summer’s evening at Paritutu Centennial Park, and I spent the interlude chatting with a friend. I’m only guessing that the stripe is Venus, but as she often accompanies the early moon it’s a good bet. For trails like […]

We waved the torch over nearby palms on our way back from Gilbert’s Beach, at Te Hapu (www.tehapu.co.nz), a remote cattle station in Golden Bay. On a wide angle lens it is easier to stop the stars, which were more visible with the moon being blotted out by a cloudbank. Having selected Direct sunlight light […]

Inshore study in gold and aqua under a full moon; ideal exposure and post-process rescue

Heavy haulage outside the boat club; beast and beauty of the tripod

Moonlit abstraction on the square; Light balance selection with mixed sources

Palms, balm and moonlit calm; the issue of personal safety and the usefulness of a lighting assistant

Vertical grace and green against a starry sky; the search for critical focus

An unexpected colour at second quarter; a wild coast made easy for the townie

Moon and artist’s cloud over no. 2 shellfish processing factory; wide angle and mixed lighting

Dramatic study in amber, green and blue; composition using the foreground in a classic thirds