coast

75. Blue note at Oakura Beach

75. Blue note at Oakura Beach

After midnight, the search for illumination continues, in a translucent sort of way

74. Moonstruck coast at Oakura

74. Moonstruck coast at Oakura

Silver surf and f16 on the beach; handling difficult focus by using a small aperture

72. No exit at Waikawa Beach, Horowhenua

72. No exit at Waikawa Beach, Horowhenua

Simple forms and shadow effects; street lighting used with wind-blown moonlight

68. Moonlit shipping, Taranaki waters

68. Moonlit shipping, Taranaki waters

Shipping signature from the beach below Paritutu; exposing for highlights with a high moon

65. Round Rock by moonlight, Back Beach

65. Round Rock by moonlight, Back Beach

Night magic in sepia; much longer exposures using a Pentax 6×7 as second camera

64. Urupa gateway, by the half moon

64. Urupa gateway, by the half moon

Decorative arch and summer peak from Surf Highway 45; working by the westerly early moon

63. Rising moon on an ebbtide, Marahau

63. Rising moon on an ebbtide, Marahau

Striking blue moonlight under a black sky; f16 and depth of field

60. High tide, low moon, Marahau magic

60. High tide, low moon, Marahau magic

High contrast land, sea and sky; late moons, weariness and night safety

55. Twilight surf from the Waitoetoe cliffs

55. Twilight surf from the Waitoetoe cliffs

A big view on big film; monochrome surf in extended exposure; vertical compositions

A daylight effect and a sea change with long exposure; simplicity as a composition cue

52. Moving hands, white face: high tide by moonlight

52. Moving hands, white face: high tide by moonlight

Time on the trot, subtle surf and a shadow; the frustrations of focus

50. In silhouette, Nugget Point night

50. In silhouette, Nugget Point night

A moonlit figure unaffected by a passing car; low ISO and lens selection

48. Summer evening at Triangle Flat, Golden Bay

48. Summer evening at Triangle Flat, Golden Bay

Colourful star trails and a meteorite on film; digital disadvantages with extended exposures

47. Moonlit figure at Okarito

47. Moonlit figure at Okarito

Elf-portrait or self-portrait? Pricks of moongleam on the boathouse deck, in sepia

45. Karekare before dawn, west Auckland coast

45. Karekare before dawn, west Auckland coast

Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being

44. Moonrise from the Devonport ferry, Auckland

44. Moonrise from the Devonport ferry, Auckland

Movement by the photographer, not something within the frame. But first set up your tripod.

43. Offshore squall, Taranaki, at night

43. Offshore squall, Taranaki, at night

Simple but fast-moving monochrome composition, in a square format.

34. Quirky but Perky, by moonlight

34. Quirky but Perky, by moonlight

A bedecked piggy-bank in a wide angle daylight effect; about focal length and apertures

26. Gerry by broad moonlight, Ocean Beach, Hawkes Bay

26. Gerry by broad moonlight, Ocean Beach, Hawkes Bay

A broad daylight effect; quicker people pix by moonlight; focus and movement

20. Spring willows and traffic from Waimarama, Hawkes Bay

20. Spring willows and traffic from Waimarama, Hawkes Bay

Matching exposure time to the event in witness; moving away from the obvious vantage points

19. Moonlight view to Cape Kidnappers, Hawkes Bay

19. Moonlight view to Cape Kidnappers, Hawkes Bay

Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000

16. Moonlit Moturoa from Back Beach, at Paritutu

16. Moonlit Moturoa from Back Beach, at Paritutu

The big camera out on a wind-swept beach, well before full moon.

15. Leaving Port Taranaki at midnight

15. Leaving Port Taranaki at midnight

Monochrome in sepia; a vessel leaves port on calm seas, at high moon.

11. Self-portrait by moonlight, Jack’s Bay, Otago

11. Self-portrait by moonlight, Jack’s Bay, Otago

Travelling with two tripods, a calendar photographer records his own work one quiet night on the beach.

10. Moonlit surf on the Boulder Bank, Nelson

10. Moonlit surf on the Boulder Bank, Nelson

An invisible line of surf on a rocky shore; getting close enough but not too close.

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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