long exposure

45. Karekare before dawn, west Auckland coast

45. Karekare before dawn, west Auckland coast

Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being

44. Moonrise from the Devonport ferry, Auckland

44. Moonrise from the Devonport ferry, Auckland

Movement by the photographer, not something within the frame. But first set up your tripod.

43. Offshore squall, Taranaki, at night

43. Offshore squall, Taranaki, at night

Simple but fast-moving monochrome composition, in a square format.

42. Neudorf apples by moonlight

42. Neudorf apples by moonlight

At close range at night with medium format; a monochrome study in tints

41. After midnight on the porch at Te Hapu

41. After midnight on the porch at Te Hapu

Breezy movement, bright colour and a strong diagonal in a square format

40. Nightfall in blue at Waiwhakaiho

40. Nightfall in blue at Waiwhakaiho

A tungsten study aided by a surprise arrival; using flash with long exposure at twilight

39. Mt Taranaki at night, from Centennial Drive

39. Mt Taranaki at night, from Centennial Drive

Electricity on the march, on a moonless night; long exposures and the ISO factor.

38. Mt Taranaki at twilight, from Junction Rd

38. Mt Taranaki at twilight, from Junction Rd

Finding depth in a wide angle view; the challenge of a square format

37. Nude by moonlight, Wairarapa pastorale

37. Nude by moonlight, Wairarapa pastorale

A simple composition, but a pose requiring 15 minutes; reciprocity effects

36. April evening, Woodstock, near Hokitika

36. April evening, Woodstock, near Hokitika

Full moon in low-rent country, West Coast, without banjos

35. Saturday night in the Domain, Auckland

35. Saturday night in the Domain, Auckland

Experimenting with long exposure on a slow and unusual film, on a drizzly night

34. Quirky but Perky, by moonlight

34. Quirky but Perky, by moonlight

A bedecked piggy-bank in a wide angle daylight effect; about focal length and apertures

33. Night-for-day at Kaihoka, Golden Bay

33. Night-for-day at Kaihoka, Golden Bay

Unusual daylight effects, movement and a surprise cameo role for the woman-in-magenta

32. Waimarama church at night, Hawkes Bay

32. Waimarama church at night, Hawkes Bay

Car lights add highlights to a country church while the moon hides behind the steeple

31. A winter’s walk to Groom Creek, Nelson

31. A winter’s walk to Groom Creek, Nelson

Slow photography while out with friends; the extra dimension to night photography

30. Foreshore wind-wand at night, New Plymouth

30. Foreshore wind-wand at night, New Plymouth

A subject in motion against a moving background; tungsten one last time

29. Moonlit cherub, Waimea West, Nelson

29. Moonlit cherub, Waimea West, Nelson

Wide angle vertical composition; depth of focus and a figurine

27. St Mary’s evening vigil, Nelson

27. St Mary’s evening vigil, Nelson

The Holy Mother looks out on city lights; the subtlety of moonlight

26. Gerry by broad moonlight, Ocean Beach, Hawkes Bay

26. Gerry by broad moonlight, Ocean Beach, Hawkes Bay

A broad daylight effect; quicker people pix by moonlight; focus and movement

25. Holy Virgin & Infant, Brook Reservoir, Nelson

25. Holy Virgin & Infant, Brook Reservoir, Nelson

A surreal study with a figurine; flowing water effects by long exposure.

24. The rock Paritutu at night

24. The rock Paritutu at night

Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

23. Moonrise on Mt Taranaki; Venus at greatest brilliancy

A moonrise after dark; waiting to see something appear in the viewfinder

21. Wind-blown trees and a long exposure by moonlight

21. Wind-blown trees and a long exposure by moonlight

Daylight effects and the blur of the wind. Scope versus depth: a hard choice.

20. Spring willows and traffic from Waimarama, Hawkes Bay

20. Spring willows and traffic from Waimarama, Hawkes Bay

Matching exposure time to the event in witness; moving away from the obvious vantage points

19. Moonlight view to Cape Kidnappers, Hawkes Bay

19. Moonlight view to Cape Kidnappers, Hawkes Bay

Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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