Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being
Movement by the photographer, not something within the frame. But first set up your tripod.
Simple but fast-moving monochrome composition, in a square format.
At close range at night with medium format; a monochrome study in tints
Breezy movement, bright colour and a strong diagonal in a square format
A tungsten study aided by a surprise arrival; using flash with long exposure at twilight
Electricity on the march, on a moonless night; long exposures and the ISO factor.
Finding depth in a wide angle view; the challenge of a square format
A simple composition, but a pose requiring 15 minutes; reciprocity effects
Full moon in low-rent country, West Coast, without banjos
Experimenting with long exposure on a slow and unusual film, on a drizzly night
A bedecked piggy-bank in a wide angle daylight effect; about focal length and apertures
Unusual daylight effects, movement and a surprise cameo role for the woman-in-magenta
Car lights add highlights to a country church while the moon hides behind the steeple
Slow photography while out with friends; the extra dimension to night photography
A subject in motion against a moving background; tungsten one last time
Wide angle vertical composition; depth of focus and a figurine
The Holy Mother looks out on city lights; the subtlety of moonlight
A broad daylight effect; quicker people pix by moonlight; focus and movement
A surreal study with a figurine; flowing water effects by long exposure.
Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails
A moonrise after dark; waiting to see something appear in the viewfinder
Daylight effects and the blur of the wind. Scope versus depth: a hard choice.
Matching exposure time to the event in witness; moving away from the obvious vantage points
Camerawork along a lee shore on a very cold night; the thrill of a new camera and ISO 2000