stars

87. Moonlit church, Waimea West

87. Moonlit church, Waimea West

Simple imagery; it pays to look around the back

84. Night persimmons, Nelson

84. Night persimmons, Nelson

A seasonal opportunity by the full moon; adjusting computer screens and camera playback viewers

75. Blue note at Oakura Beach

75. Blue note at Oakura Beach

After midnight, the search for illumination continues, in a translucent sort of way

72. No exit at Waikawa Beach, Horowhenua

72. No exit at Waikawa Beach, Horowhenua

Simple forms and shadow effects; street lighting used with wind-blown moonlight

71. Stockyard gate at night, Koru

71. Stockyard gate at night, Koru

Using flash with moonlight; square format composition

68. Moonlit shipping, Taranaki waters

68. Moonlit shipping, Taranaki waters

Shipping signature from the beach below Paritutu; exposing for highlights with a high moon

66. Maude Road mountain moonlight, Taranaki

66. Maude Road mountain moonlight, Taranaki

Monochrome peak-and-pines at a road end; composition and the continuing lure of square format

64. Urupa gateway, by the half moon

64. Urupa gateway, by the half moon

Decorative arch and summer peak from Surf Highway 45; working by the westerly early moon

62. Venus from Te Rewa Rewa bridge

62. Venus from Te Rewa Rewa bridge

An inspiring new structure, after dark; noise, scale and safety

60. High tide, low moon, Marahau magic

60. High tide, low moon, Marahau magic

High contrast land, sea and sky; late moons, weariness and night safety

56. Tree ferns and moonlit mountain, Koru Rd

56. Tree ferns and moonlit mountain, Koru Rd

Combining flashlight with moonlight; controlling the effect by ISO adjustment

53. Lakeside reeds, Kaihoka, by moonlight

53. Lakeside reeds, Kaihoka, by moonlight

Blowing in the wind on a sandy shore; the perils of calendar picture selection

51. Winter moonrise after dark, German Hill

51. Winter moonrise after dark, German Hill

Some unexpected blue between the scudding clouds; photography on evenings after full moon

50. In silhouette, Nugget Point night

50. In silhouette, Nugget Point night

A moonlit figure unaffected by a passing car; low ISO and lens selection

49. Infra red church and moon, Baylys Beach

49. Infra red church and moon, Baylys Beach

Moving cloud and torchlight add drama; an unusual high contrast film

48. Summer evening at Triangle Flat, Golden Bay

48. Summer evening at Triangle Flat, Golden Bay

Colourful star trails and a meteorite on film; digital disadvantages with extended exposures

46. Bullock Creek moonlight, Punakaiki

46. Bullock Creek moonlight, Punakaiki

Kahikatea framed by a West Coast canyon; trouble with really long exposures

45. Karekare before dawn, west Auckland coast

45. Karekare before dawn, west Auckland coast

Quiet water, rough rocks and a soft line of surf – after an unexpected threat to my well-being

41. After midnight on the porch at Te Hapu

41. After midnight on the porch at Te Hapu

Breezy movement, bright colour and a strong diagonal in a square format

39. Mt Taranaki at night, from Centennial Drive

39. Mt Taranaki at night, from Centennial Drive

Electricity on the march, on a moonless night; long exposures and the ISO factor.

38. Mt Taranaki at twilight, from Junction Rd

38. Mt Taranaki at twilight, from Junction Rd

Finding depth in a wide angle view; the challenge of a square format

37. Nude by moonlight, Wairarapa pastorale

37. Nude by moonlight, Wairarapa pastorale

A simple composition, but a pose requiring 15 minutes; reciprocity effects

36. April evening, Woodstock, near Hokitika

36. April evening, Woodstock, near Hokitika

Full moon in low-rent country, West Coast, without banjos

29. Moonlit cherub, Waimea West, Nelson

29. Moonlit cherub, Waimea West, Nelson

Wide angle vertical composition; depth of focus and a figurine

24. The rock Paritutu at night

24. The rock Paritutu at night

Harbour lights illuminate low wispy cloud over Paritutu; introduction to star trails

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Barney Brewster – NZ Landscape Photographer

Based in Nelson, Barney loves to capture the New Zealand landscape, mostly through long exposures at dusk or after dark.

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